By Olga G Bailey; Bart Cammaert; Nico Carpentier
Read Online or Download Understanding alternative media PDF
Best other media books
The electronic period can provide, as did many different technological advancements ahead of it, the transformation of society: with the pc, we will be able to go beyond time, area, and politics-as-usual. within the electronic chic, Vincent Mosco is going past the ordinary tales of technological step forward and fiscal meltdown to discover the myths developed round the new electronic expertise and why we suppose forced to think in them.
This can be the 1st finished examine of the photographs in 5 profusely illustrated Yiddish books that have been produced in sixteenth-century Italy: a manuscript of Jewish customs illustrated via its scribe, and books of customs, a chivalric romance, and a publication of fables, all revealed at Christian presses in Venice and Verona.
To Henri Lefebvre, the gap and ""lived everydayness"" of the inter-dependent, multi-faceted urban produces manifold chances of identifiction and realisation via usually imperceptible interactions and practices. paintings and town takes this commentary as its cue to check the position of artwork opposed to a backdrop of worldwide emerging city populations, taking into consideration the more moderen performative and relational ""turns"" of paintings that experience sought of their urban settings to spot a engaging spectator -- an implicated citizen.
- Thrown rope
- Creating Personalities for Synthetic Actors: Towards Autonomous Personality Agents
- Plug-in to After Effects: Third Party Plug-in Mastery
- Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
- Prehistoric Pottery for the Archaeologist
- A chosen path : the ceramic art of Karen Karnes
Additional resources for Understanding alternative media
Hegemony and representation In discussing alternative media it is important to grasp the relationship between media and representation since one reason for the very existence of alternative media is to voice the ‘ideologies’ of those under- or misrepresented in the mainstream channels of communication. As Fleras and Kunz (2001: 40) remind us: ‘Mainstream media are framed as a contested site of competing agendas whose inner logic, institutional values, and commercial imperatives induce a reading of reality at odds with the aspirations of those outside a mainstream orbit’.
Civil society itself is characterized by a high degree of differentiation and fragmentation. Civil society is by no means a single actor, although certainly in policy processes it is often presented in that way. For this reason Cox (1999: 10–11), following Gramsci, distinguishes a ‘top-down’ conception of civil society from a ‘bottom-up’ one. In the former case ‘the dominant forces penetrate and coopt elements of popular movements’, while in the latter civil society is conceived as ‘the realm in which those who are disadvantaged by globalisation of the world economy can mount their protests and seek alternatives’.
They nevertheless serve two main purposes: to express opposition vertically and to build networking laterally. A similar argument is developed by Rodriguez (2001: 20) who suggests the notion of alternative media be abandoned in favour of citizens’ media: 25 26 | UNDERSTANDING ALTERNATIVE MEDIA because ‘alternative media’ rests on the assumption that these media are alternative to something, this definition will easily entrap us in binary thinking: mainstream media and their alternative, that is, alternative media.