Download Cable Guys: Television and Masculinities in the 21st Century by Amanda D. Lotz PDF

By Amanda D. Lotz

From the meth-dealing yet dedicated kinfolk guy Walter White of AMC’s Breaking undesirable, to the part-time basketball trainer, part-time gigolo Ray Drecker of HBO’s Hung, depictions of male characters puzzled by way of societal expectancies of guys and concerned approximately altering American masculinity became normal around the tv panorama. enticing with a large choice of indicates, together with The League, Dexter, and Nip/Tuck, between many others, Amanda D. Lotz identifies the slow incorporation of second-wave feminism into triumphing gender norms because the catalyst for the contested masculinities on exhibit in modern cable dramas.

Examining the emergence of “male-centered serials” equivalent to The protect, Rescue Me, and Sons of Anarchy and the demanding situations those characters face in negotiating glossy masculinities, Lotz analyzes how those indicates mix feminist techniques to fatherhood and marriage with extra conventional buildings of masculine id that emphasize men’s position as prone. She explores the dynamics of shut male friendships either in teams, as in Entourage and males of a undeniable Age, in which characters attempt the bounds among the homosocial and gay of their relationships with one another, and within the dyadic intimacy depicted in Boston felony and Scrubs. Cable men presents a miles wanted look at the under-considered topic of the way buildings of masculinity proceed to conform on tv.

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The economic crisis delivered by an under-regulated banking industry, followed by a return to examination of and debate about economic policies ranging from health care to 26 << Understanding Men on Television the unionization of government workers to all manner of deficit-cutting and austerity measures, monopolized the cultural agenda, bringing uncommon popular attention to class and wealth distribution—though notably, issues of gay rights and marriage persisted and even dominated the cultural agenda at times, particularly in the late 1990s through the early 2000s.

Their contextual point about the presence of strong female characters is important, but so too are the range of men also present alongside boorish, macho characters. In addition to the variation in masculinities evident across series in the late 1980s, there was often considerable variation in the masculinities present within a single series; consider Hill Street Blues’ contrast among Frank Furillo (Daniel J. Travanti) and Howard Hunter (James Sikking) as a particularly strong illustration of this, but even consider the further variation offered by Andy Renko (Charles Haid), Mick Belker (Bruce Weitz), or J.

The economic crisis delivered by an under-regulated banking industry, followed by a return to examination of and debate about economic policies ranging from health care to 26 << Understanding Men on Television the unionization of government workers to all manner of deficit-cutting and austerity measures, monopolized the cultural agenda, bringing uncommon popular attention to class and wealth distribution—though notably, issues of gay rights and marriage persisted and even dominated the cultural agenda at times, particularly in the late 1990s through the early 2000s.

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