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By Jeanne Moskal

  For the final 20 years, students who concentrate on the poetry and paintings of William Blake have under pressure the formal and historic dimensions of his aesthetic theories and practices. Such an emphasis neglects the moral commitments that tell his paintings. fundamental between those moral commitments is Blake’s passionate advocacy of forgiveness among people as a method to resolve the matter of human evil, an advocacy that turns out to contradict Blake’s assertions that moral legislation create the appearance of human evil and hire the concept that of “forgiveness” completely to enhance the phrases of the unique oppression.             Blake, Ethics, and Forgiveness makes a speciality of an incredible and pervasive factor present in the paintings of the English Romantic visionary poet, engraver, and mystic William Blake. It treats the ethical and literary challenge of representing moral or human forgiveness, as specified from the divine forgiveness of people.  

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In fact, one of the most interesting parts of the poem is Blake's portrayal of the logical paradox of antinomianism in the interweaving of Bromion and Theotormon. The burden of the poem is that Theotormon's offense, of accusing Oothoon, is by far the more serious matter. In fact, Blake suggests that Bromion enacts the repressed desires of Theotormon, so that Bromion's offense in breaking the law is, curiously, an integral part of Theotormon's offense in promulgating the law and accusing Oothoon in its terms.

It is not only that, as Paley and Damrosch have both written, Blake was a dualist who wished he were a monistsuch a position on Blake has ample Justification and applies to numerous strains of his thought. It is also that Blake's individualism dominates his pluralism completely. As Laurence S. " 23 To Lockridge's observation that "Blakean psychology inhibits full acknowledgement of other lives,"24 I can add that the late treatment of forgiveness demonstrates the pervasiveness of that inhibition.

Thus in both cases the act of forgiveness is not, properly speaking, an act at all, but merely the passive complicity of victims in their own oppressiona possibility that will arise again in Oothoon's forgiveness of her oppressive lover Theotormon. While these proverbs do take into account the victims suffering,19 they also show a certain contempt for the passivity of the victims they pity, an attitude that Blake the poet does not necessarily share. The advocate of energy who speaks in the Proverbs shows mixed pity and contempt for the passive victim, but he admires the active plowman unreservedly.

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